Devouring 2025's Festive Features: The Hits, The Misses, and The Guilty Pleasures.
‘Tis the time of year to lounge on the couch and demolish a box of holiday pastries in front of a good movie, a poor film, or one that’s so bad it’s good.
This year, a selection of new Christmas films aims to become part of our festive viewing—maybe even joining the ranks alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Therefore, in a vital public service to separate the winners from the losers, and to embrace the festive feeling, I binged as many recent Christmas films as possible in a single day.
7.17am - A Very Jonas Christmas Movie
Starting, optimistically, on a high. This film is the sole 2025 title on a famous website's list of the best 100 festive features of all time.
The popular band end up trapped in the UK after wrapping up their global concert series and must make it back for Christmas. Their attempts are hindered by an villainous Saint Nick, who bursts into melody to declare they won’t get home until they “find their sibling bond.”
The banter between the bickering brothers is amusing even for the non-fan, while followers will certainly notice lots of references as they attempt to get back using any means of transport necessary.
It’s a travelogue of mishaps.
It’s not an all-time classic, but is great for devotees and a good start to the day.
Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who will have to sit through it.
Next: A Star in Panto
A-list actor Kiefer Sutherland has been cast as a Hollywood star cast a pantomime.
“A panto-what?” asks Sutherland’s “difficult” and ageing lead Brad Mack, who has seen better days and whose representative has deceived him into thinking he’s performing in prestigious English theatre.
His Aladdin cast-mates inform him he’s playing Buttons. “Absolutely not,” he insists angrily. It's easy to predict their retort. Except if you’re unfamiliar with traditional panto catchphrases.
There are some very funny lines, some heartwarming side stories, and the rest of the cast is excellent, too.
It’s the type of film that would be a bit cheesy at another season, but is a great entertainment at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
A New Spin on Scrooge
A familiar face shows up at the start of this film, too, insulting someone for the second film in a row. Might this become a budding festive ritual?
This time, he’s a musical taxi operator who collects Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The well-known tale progresses as the miserly Mr Sood is confronted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least different from all the others, but sadly he’s not very compelling and Nayyar’s performance is lifeless—a problem when he’s so central to everything.
Festive score: 🎄🎄
Lunchtime: Stuffed
Before lunch for a channel's Christmas comedy-drama—which stars Guz Khan as a lovably grouchy guy who “doesn’t really do Christmas.”
But after he gets an £8,000 Christmas bonus at work, his wife (played by Morgana Robinson) talks him into blowing the money on a family trip to Lapland.
There’s just one issue—he finds out there was an mix-up with his bonus, which should have been £800, and he has to determine how to pay back the excess.
Pleasant yet unmemorable.
Holiday verdict: 🎄🎄
1.12pm - Champagne Problems
This is one of those Christmas films where the tree, fairy lights and snow are in the setting—Christmas is the scene of the film rather than its main point—but it feels comfortable and seasonal all the same.
Ambitious executive Sydney (starring Minka Kelly) is assigned to a French chateau to secure an acquisition for a sparkling wine company. During her travels, she runs into a man in a book store who promises to show her the holidays in the City of Light.
A critic recently declared this is the best new Christmas film of the past few years. That’s a bit of a stretch, but it is a Christmas romance with a dash of elegance and gives the obligatory heartwarming sensation.
The scene with a detailed conversation about Die Hard is notable too.
Festive score: 🎄🎄🎄
Mid-Afternoon: Finding Father Christmas
Teenage Chris, played by Lenny Rush, continues to believe in Father Christmas, regardless of the persuasion of his dad (played by James Buckley) to tell him the reality.
The secret is somewhere, and Chris ventures forth to find it with the guidance of a team of well-known scientists and personalities.
It’s gentle but sweet, and good viewing while waiting for Santa to visit.
Christmas tree rating: 🎄🎄🎄
Late Afternoon: Oh. What. Fun.
Michelle Pfeiffer is the head of a bickering American family who gather for the holidays—including other acclaimed actress Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the premise, but in practice it’s really a jumble of those forerunner films, at least until Pfeiffer’s character finally takes center stage.
Holiday verdict: 🎄🎄
6.43pm - A Scottish Christmas Secret
The day’s waned in quality, but happily here’s a new entry in the saturated market of cliched, saccharine, over-the-top—and utterly watchable—festive fodder.
It’s a story as familiar as can be: An American woman goes on a quest to a picturesque cold country and ends up finding romance.
In this case, Caprice Bourret plays a publisher